Текст песни Чайковский - Вальс

Musicologist Anna Petrov.
"Once again about the waltz!"

Johann Strauss-Jr. lived a long life during which he together with his orchestra and without him there was a whole world. So few seasons in a row, Capella Strauss gave concerts in the country Pavlovsk near Petersburg, which was greatly popular and as a result of which wondered waltz was created. Farewell to Petersburg. "
Waltz conquered the world! He was dancing everywhere and everywhere. Apparently how 18 days was the era of Menuet, and 21Wek "wring up in cramps" under the roar of rock, 19Vek became a century of Waltz, chose Waltz in his symbol, found and expressed himself in the waltz. But why? What is the mystery of the Magic Waltz? There are dancing, whose content, the meaning is determined not by an external appearance, not emotional roots, and the choreographic principle, which lies with them, as well as generated by this principle: Rhythmic formula, intonation vocabulary. Taksa Waltz and Tango. Especially Waltz! All the dance becomes a kind of supervisor, reflecting and embodying the deep, most hidden, sometimes indescribable by other expressive means, layers and parties of being. We have all, the waltz is extremely democratic. In the uniforms of his circle, it is one and the same for all. Moreover, All people, regardless of their position, are the same and equal in the waltz. If in court dance, especially in Menuet, each step was prescribed and painted; was strictly subordinate to the ceremonial and etiquette, and this A row of dance, the position of dancing, their role in the dance, the choreographic figures themselves reflected the social status of his participants, then the waltz gave freedom of individual expression, the freedom of expression of the personality. This once noticed that it was not yet possible to dance the waltz threesome. Monotony of the movement of the dancing couple, the subordination of two of this single infinite circle creates an amazing sense of combination, dedication from all over the world. Where, if neither here, it was best to express themselves that individualism, then the hypertrophied awareness of my I, its exclusiveness and uniqueness, the disclosure of it The surrounding, which will be brought with me from 19V. And at the same time, where, as neither in the waltz, the illusion of the connection with the other I found in this vast world was created. Wals spent another illusion of flight in the uncharted, immersion in a charming, clean, having a beauty The world, the illusion of liberation from judacy, the vulgarity of the surrounding. Is this the illusion of the combined flight, the separation from the prose of reality created Walsa his romantic halo?
But this does not explain until the end of the magic secret of the waltz, the magical force of the most advisory principle. The bottomless depth is hidden. The bottomless depth is hidden. Double-liter. With the one hand, it seems extremely dynamic - he is all in an infinite, not necessarily on the moment movement. But this Movement in a circle - it is monotonous, and this monotony generates a feeling of statics, settric, frosts in one place. It is his stiffness, glowing and the inability to break away, steep all in one and in one limit and the impossibility of breaking out of this limit. Does the duality of the Waltza It is impossible to better handed over, perhaps the most significant, deep emotional-psychological dominant of 19 b. The world of cold calculation, the full loneliness of a man in the society of soulless egoism. If this is a hidden melancholy Some other, the best, world; the flight of dreams behind the elusive, elusive fairy tale with such force and exquisite beauty was embodied in countless waltz poems, starting with the "Waltz fantasy" M. Glinka.